Response from Jana Perkovic; apropos her article from australianplays.org

JANA PERKOVIC: LITERARY MANAGER

apropos a mistake in the following article from australianplays.org: 

I have recently written an essay that has attracted a lot of attention due to its subject matter and, more urgently, for containing a quote from an unpublished script. I did not take sufficient care during the editing process of this long article, and the published essay contained an unauthorised quote from an unpublished script, winner of an RE Ross Trust Playwrights’ Script Development Award, has been part of National Script Workshop, but had been sent to me, in good faith, for appraisal.

As soon as I was alerted, I immediately contacted Australianplays.org and requested its prompt removal. I wrote directly to the playwright with an unreserved apology. Not much later, the editor of Australianplays.org, Tom Healey, penned a public apology for his editorial oversight which I fully share. The essay got very quickly redacted, but harm has been caused, and an apology and an explanation are in order.

In February 2014, when Tom Healey asked me to write an essay on Australian playwriting for australianplays.org, I proposed something that had been on my mind quite a lot: an analysis of some common dramaturgical patterns I had in Australian dramatic writing and at work in the wider Australian storytelling culture.

Some of the discussion around the essay suggested a fundamental malice in the use of the quote, and the essay itself. I get to read many plays, long and short, ready for stage and deeply flawed. Many celebrated plays feature instances of untheatrical dialogue, short scenes, poetic language instead of conflict etc.

I’m aware that it seemed my voice has been missing from the public discussion. I want to give my assurance that there was no malice in writing these opinions and I believe that we owe as much support and clarity to our theatre as we can possibly give.

I am extremely sorry that this has happened, and have done all possible to rectify the mistake, and MKA, as a new writing company,  and I, are working on a public literary policy to clarify our reading and reporting process. I thought it was important that those engaged in the industry, but not aware of the private communications, hear from me on this matter.

I’m very happy to continue this conversation. See you at MKA’s HYPRTXT Festival of New Writing & Performance!

Regards,
Jana Perkovic

MKA: Theatre of New Writing
Literary Manager

literary@mka.org.au

New Leadership! Major Changes!

 

Revealing New Leadership & Expanded Company!

In 2013-2014 MKA will farewell co-founder Glyn Roberts and welcome new Co-Creative Director John Kachoyan and a raft of arts leaders in an exciting new vision for the company.

Read more below!
All about the team! All about the future! and Glyn’s farewell message!

Oh hello MKA audience and artists!In 2013-14,MKA are growing.
We’re continuing to grow across Australia, and internationally, with works planned from Northcote to New York, from Melbourne to Mexico City. But today we want to tell you about the growth of the company.

Following the recent departure of co-founder and co-creative director, Glyn Roberts, to La Boite Theatre in Brisbane, (CONGRATULATIONS GLYN and LA BOITE!!) Creative Director Tobias Manderson-Galvin has taken the opportunity, that the necessary change demanded, to expand the company.Joining Creative Director Tobias Manderson-Galvin at the helm, in a leadership role, we invite you to welcome John Kachoyan, new MKA Co-Creative Director. John has come from a year as Resident Director at Bell Shakespeare, recently directed the hit ‘Midsummer’ for Red Stitch and has spent the past half a decade staging new writing, more often than not Australian, in the U.K., at companies such as SOHO, Finborough, the Old Vic and his own company Ironbark.

 

“I’ve been following MKA’s brilliant work since the start, from London, then Sydney and having just moved to Melbourne, I’m thrilled to be joining the company as it continues to place playwrights at the centre of brave new works. Writers are what keep me coming back to the theatre – as a director and especially as a dramaturg – they’re at the centre of the work I make and the theatre I see. I am thrilled to join Tobias in expanding the work that’s already gone into making such a vibrant company.” J. Kachoyan
Here at MKA we’re delighted to announce that critic and academic, Jana Perkovic will remain as MKA’s Literary Manager! New to Melbourne, star director Kat Henry (About Tommy, Foxfinder) will join MKA as Resident Director, directing a series of readings as well as new full scale work. Developing his relationship with MKA, International Fellow of Shakespeare’s Globe Mark Wilson joins the company as Resident Dramaturg, a new position for MKA that will put greater emphasis on the development of new writing in a rehearsal context. Meanwhile you can see his solo show MKA: Unsex Me at the Melbourne Fringe 2013 from the 28th of Sep.
Further more: David Finnigan, former director and founder of both Crack Theatre Festival and Canberra’s You Are Here Festival will join MKA as Creative Associate (International). Direct from jointly running Melbourne University’s Mudfest,and Union Arts Offices, Eric Gardiner will join the company locally as Creative Associate (Melbourne). Promoting the work, in Marketing and Communications, Natalia Cheng joins MKA from Melbourne Writers Festival. Sarah Walker, who has been creating film and still work for MKA since it’s first season will retain theposition of Resident Photographer/Videographer. Corey Reynolds leads the company’s accounts as Financial Consultant. Glyn Roberts will stay an artistic associate of the company, maintaining a relationship of guidance and involvement in at least one artistic project in 2014. Keep in touch because we’ll be announcing more resident artists, in design and writing later in the 2013. MKA x
MKA: Theatre of New Writing
2013-14
Co-Creative Director
John Kachoyan
Resident Director
Kat Henry
Creative Associate (International)
David Finnigan
Marketing & Communications
Natalia Cheng
Resident Photographer
Sarah Walker
Creative Director
Tobias Manderson-Galvin
Literary Manager
Jana Perkovic
Resident Dramaturg
Mark Wilson
Creative Associate (Melbourne)
Eric Gardiner
Financial Consultant
Corey ‘the Cougar’ Reynolds
The Future
Includes you!

FINALLY:
A MESSAGE FROM
OUTGOING CO-CREATIVE DIRECTOR GLYN ROBERTS

Hello and Goodbye and Hello.
It is with simultaneous sadness and great excitement that I say farewell to being a part of the day to day running of MKA: Theatre of New Writing. What started out as a churlish idea shared by two even more churlish playwrights has in the past 4 years developed into one the most impressive and important independent theatre companies in Australia and of this I am very proud.
In the last 12 months alone MKA has not only presented great plays in Melbourne but also in  Adelaide, Sydney, Brisbane, Canberra and in regional centres such as Geelong, Newcastle and  Penrith. I believe it is fair to say, at least far as Melbourne is concerned, MKA has in its short
 history, relaunched and revitalised playwrights and playwriting as art and artists of radical vibrancy, who will ultimately shape Australian theatre in the present and for future generations. I leave MKA not as a niche project confined to a pop-up space in basement somewhere in inner-city Melbourne but as a national company with a global outlook.
Although I will retain the purely honorary title of founding co-creative director I will be handing  over my duties and functional title to the more than capable John Kachoyan. John is a director and dramaturg by trade and has long been a friend of MKA. John’s work in the UK promoting new  Australian writing via his company Iron Bark and venerable theatre houses such as West London’s Finborough Theatre I have always admired and we are lucky to have him now working for MKA.
John will join MKA as the new co-creative director and with Tobias take MKA through to even greater heights over the coming years. That said MKA has been such a huge part of my life for the last 4 years that I shan’t be pulling my finger all the way out just yet but shall stay attached to the company as an Artistic Associate contributing ideas, strategy and keeping an eye on the big picture for MKA from my new perch up north.
Long Live MKA!
Glyn Roberts
Outgoing Co-Creative Director
MKA: Theatre of New Writing

That’s all for now! MKA xx

MKA at the Green Room Awards

MKA at the Green Room Awards!
 

Rear: Tanya Dickson; Centre: Tobias Manderson-Galvin; Right: Glyn Roberts.
Photograph by Sarah Walker.

MKA at the Green Room Awards

A REPORT BY THE PEOPLE AT MKA TO YOU, THE OTHER PEOPLE OF MKA

MKA were recipients of a special award for
contribution to independent theatre
at the annual ceremony last week.

The performing arts industry tradition that is the Green Room Awards Night was held last Monday May 6, in the lush antique setting of Melbourne’s Comedy Theatre and MKA were given a special one off award in praise of the company’s work in the North Melbourne Season, 2012. MKA was represented on the night with 11 nominations across 7 categories, including 4 best Actress nominees and 6 nominations for Triangle, but it was the company as a whole that would be singled out for honour when the envelopes were opened and the recipients read aloud.

 

“Another feather in a cap that is fast resembling something with lots of feathers. Like a falcon. Or an emu.
Or a dinosaur covered in feathers.”

The ceremony took place at the Marriner’s run theatre and, due to the one off nature of the night, took place on the set of a currently running commercial theatre production and let’s not mention the show but it- well it was like a David Lynch film-, lending a totally surreal air to proceedings. As the night drew to a a close, having already payed tribute to those who’d passed in the previous year, and there were a lot; and with all other awards, from all fields (dance, opera, cabaret, theatre, music theatre, hybrid/live art) already handed out, except for the sole life time achievement award, an announcement of a special award was made by that inimitable beauty, and the night’s host, Rhonda Burchmore. The award was for Special Contribution to Independent Theatre in Melbourne and the recipients of this one off prize were MKA. So up from their seats sprang MKA Co-Creative Directors Tobias Manderson-Galvin & Glyn Roberts, and 2012 Director in Residence Tanya Dickson, to recieve the award from Rhonda and award co-presenter Mark Trevorrow (aka Bob Downe). The North Melbourne MKA season included 3 new works, a re-mount and two subsequent tours, one national, one international, a play reading series in Berlin, threee resident artists, as well as new work developments, and a party or two.

 “Everyone was tired, bored or drunk.”

Roberts and Manderson-Galvin thanked the hundreds of artists who’ve contributed to MKA‘s works over the past 3 years and particularly the writers whose works have been staged by MKA in that time. The two seemed to spend a moment playing with the green, translucent, tower-like award statuette pretending it was a knife, a phallus, a bottle of sparkling water and then finally delighting upon the discovery that it could be used as a telescope. Roberts quipped about his fellow artists and played up to a crowd who, at that point, in the great tradition of awards nights everywhere were either tired, bored or drunk, then Manderson-Galvin climbed the 1 storey staircase on stage, a piece of set from the show that’s currently running, and as he descended, the three MKA leaders, together, made their grand exit amidst the wishing of thanks from the trio and many LOLs from the audience.

 “There were LOLs.”

This award is a further feather in a cap fast resembling a falcon or some other bird that kills other birds and eats them, and/or feeds them to it’s young, and i guess more to the point has lots of feathers. Those other feathers in the past year including the Melbourne Fringe ‘Melbourne Festival Discovery Award’ to Zoey Dawson (writer) of The Unspoken Word is ‘joe’, a handfull of Aussie Theatre Online Annual Awards for writing, direction and design and nominations and recognition from Time Out Awards, Patrick White Award (again Triangle) and The Stage Edinburgh Fringe Awards.

 

Here are the final Green Room results for MKA
(the award and the 11 nominees):

MKA
Nth Melb Season
Special Award
Tanya Dickson
Triangle
Best Director
Rob Sowinski
Triangle
Best Lighting
Georgina Capper
The Unspoken Word…
Best Actress
MKA
Triangle
Best Production
Declan Greene
The Unspoken Word..
Best Director
Claudio Tocco
sex.violence.blood.gore
Best Sound/Music
Nikki Shiels
The Unspoken Word…
Best Actress
Glyn Roberts
Triangle
Best Writing
Eugyeene Teh
Triangle
Best Set/Costume
Whitney Boyd
sex.violence.blood.gore
Best Actress
Janine Watson
Triangle
Best Actress
Special Award for Contribution to Indendent Theatre in Melbourne
MKA - North Melbourne Season for found space, design, writing and performances.for info on the awarded North Melbourne (Winter) season:
http://www.mka.org.au/?attachment_id=2966for a few red carpet snaps:
http://www.promptside.net/2013/05/the-green-room-awards-ceremony/

for more on the Green Room Awards:
http://www.greenroom.org.au/2012-green-room-award-recipients/

for anything else:
www.mka.org.au

MKA Nominated for 11 Green Room Awards

MKA Nominated for 11 Green Room Awards!

MKA: Theatre of New Writing has been nominated for 11 of the Melbourne based, 2012 Green Room Awards.

THE MKA NOMINEES ARE 

_________

THEATRE: INDEPENDENT
4 out of the 5 Best Female Performer Nominations
(Georgina Capper for the Unspoken Word is ‘Joe’, Whitney Boyd for sex.violence.blood.gore, Nikki Shiels for ‘the Unspoken Word is Joe’, Janine Watson for Triangle);

1 Best Set &/or Costume (Eugyeene Teh, Set for Triangle),

1 Best Lighting (Rob Sowinski for Triangle),

1 Best Sound/Music (Claudio Tokko, Sound for sex.violence.blood.gore),

2 Best Director (Tanya Olivia Dickson for Triangle, Declan Lohan for the Unspoken Word is ‘Joe’),

1 Best Production (Triangle) 

and 1 Best Writing (Glyn Roberts for Triangle)
_________

CONGRATULATIONS TO ALL 11, to everyone else who contributed and anyone who came along to see these works!

See more about the Green Room Awards?
http://www.greenroom.org.au/

Good thing we bribed them, beat them, bedded and blackmailed them. MKA xxx

Two Melb Shows of the Economist!

MKA: Theatre of New Writing

MKA’s ‘The Economist’
Performance and then Party!!!

Two Night Only Special Event!

In August 2012 MKA are taking The Economist by Tobias Manderson-Galvin to Edinburgh Fringe 2012.

Before the show goes, MKA are staging 2 NIGHTS ONLY of the critical and popularly acclaimed production, in order to raise the funds to send the show overseas, and to trial the new cast on a home stage.

THEN AFTER THE SHOW:
Stick around and party the night away! Cupcakes! DJ! Dancing! Guests like Conor Gallacher!

About the play!
The first play written in response to the massacre on Utøya Island by Anders Breivik. From Australia’s controversial and acclaimed theatrical wild children MKA. Thor gets hooked on World of Warcraft. Andrew hearts Plastic Surgery. The army reckon he’s on the right track and refuse to enlist him.

For ‘The Economist’:
‘Brilliant … clinical’ (Age)
‘Disarmingly imaginative … superbly acted’(Australian).
‘Wicked take on political delusion’(TheatreNotes) ‘Mindf*ck’ (AussieTheatre.com)
‘Powerful, astute’ (Artshub.com.au)
‘Thrilling’ (il Globo) ‘Masterful’ (Inpress)
‘Intelligent … considered’ (RealtimeArts)

 

We would love your attendance at this MKA Special Event

Two Nights of
‘The Economist’

Fri 20 + Sat 21 July, 8pm Shows
Then party til late

One night will be in an cavernous warehouse!
The other night in a boxing gym!

MKA North Melbourne
64 Sutton St, Nth Melbourne

BOOK HERE BOOK NOW

 

 

SEEING THIS SHOW IS THE BEST WAY TO SUPPORT MKA IN SENDING THE SHOW OVERSEAS BUT IF YOU CAN’T PLEASE GO TOPOZIBLE.COM/THEECONOMIST
AND SUPPORT US THERE

Image credit: The Economist, 2011. Sarah Walker Photos, Pictured: (l to r) James Deeth, Marcus McKenzie, Zoey Dawson, Conor Gallacher, Peter Paltos

anonymous donor saves mka from court

The following is a message from MKA Artistic Director Tobias Manderson-Galvin.

On the 3rd of November 2010 MKA

had the company’s first play reading at the company’s new theatre in Tanner Street, Richmond. Following a series of playwriting workshops already held in the space and the success of our first production at La Mama Theatre, The Arts+Culture Branch of the Yarra Council were pleased that MKA would be securely in Richmond, the wider theatrical community was abuzz, even the police who’d popped by for the Official Launch Party the week before had offered their congratulations and wished the company all the best, no doubt thankful it wasn’t another illegal brothel to have to accept council bribes for. The permission for place of assembly permit was underway, MKA was told it was to be completed by February and a number of key obstacles had been waived by the relevant council officers. The need for the mandatory number of carpark spaces for example, as well as the $15,000 independent sound test (one the council are obliged to perform themselves anyway) had been waived. Why? Because MKA was simply presenting a well contained 40 seat theatre in the side of an old factory; next door to a large hairdresser, ten doors down from the Moira Gallery; twenty doors from a pub, a brothel, a bike shop, two cafes, about 40 metres from one of Melbourne’s largest railway stations, a hundred metres from the Corner Hotel (capacity 900 patrons) and 600 metres from the MCG. But it was not to be so simple.

That first night, the small theatre was packed with excited theatre goers and makers. Actors waited off-stage in the kitchen for their cue, the audience comfortable in the recently fitted space and a well-known Melbourne Satirist went against the general hipster fashion trend of tight black jeans by sporting a pair of over sized frilly underwear, by all accounts a success but scarcely had the readings on that first night drawn to a close when a knock at the door signalled the entry of a council officer. Due to complaints received prior to the first reading, complaints MKA were all too well aware of as they’d appeared in the letterboxes of everyone on Tanner street, sent anonymously in hysterical red ink, complaints made by local residents averse to the idea of a theatre on their street, the council came to shut the venue down.

Under Act No. 45 of 1987 Section 126 (3) of the Planning an Environment Act 1987; namely using land for the purpose of a Place of Assembly contrary to clause clause 32.04-1 of the Yarra Planning Scheme.

The reading, which the council representative described on the night as ‘quieter than most dinner parties’. An on the spot fine of $600-$2400 was issued. More were to follow the next day when three threatening officers from building and planning arrived to confront MKA’s Roberts and Manderson-Galvin outside the premise: demanding, without warrant, that they enter the property.

The boys refused and closed the venue at once, but that night a paranoid local in pyjamas, who refused to discuss the issues with either Manderson-Galvin or Roberts, was still taking photographs of the front of the venue on a smartphone – hoping to capture an incriminating, if grainy, snap of ‘theatre’. Three days later MKA reopened the ‘Open Season’ playreading series at QV Shopping Centre in the Melbourne CBD. A smug phone call from  the representative of the complainants let the boys know in no uncertain terms that they were not to come back. MKA was ‘doing a wonderful thing!’ just ‘not around here.’

The debacle was the focus of some media attention and a flood of support emails from international theatrical, literary, artistic communities. This was to no avail however, the council were not interested in supporting the group or finding them a new space.

Since then MKA has presented work at the pop-up theatre in QV Shopping Centre, full scale works at a custom built theatre in the Prahran Mission on Chapel Street. developments of four new texts at The Melbourne Theatre Company Theatre’s VIP Rooms. toured to The Street Theatre in Canberra and presented workshops and panels at Crack Theatre Festival  (Newcastle) and the Emerging Writers Festival (Melbourne). And most recently MKA have spent the last 3 months at School House Studios, Abbotsford. We closed a week ago. The cost is something we’re happy to share, pertinent to say however is that we’ve been generously supported by the establishments at each location and the public and theatrical community who have attended the shows, written about them and assisted in their promotion.

And the cost for that one night in Richmond back in early November 2010?

MKA was unwilling to pay the initial fine of approx $600 due to what MKA considered to be a complete misrepresentation of facts in the affidavit of the Yarra Officer (an affidavit made under oath and which MKA makes freely available should anyone wish to read a script that does not meet our literary department’s standards of excellence) as well as Yarra’s unwillingness to review the matter without the involvement of the Magistrates’ Court.

Due to this the maximum fine to be leveled at MKA was

$143,340.00

For one night of playreading.

 

Fortunately for MKA, yesterday at around midday, an anonymous donor paid the outsanding fines owed to the City of Yarra, fortunately far less than the figure proposed above. MKA is free once again of debts but sadly the City of Yarra is still with out its theatre.

 

Where will we go next?

Wherever it is it is with great thanks to the anonymous donor and to all of you for your continued support of our company.

Thank you for being with us in 2011.

 

To many years more.

 

MKA Artistic Director,

Tobias Manderson-Galvin 

xx

2011 a year in review

This gallery contains 14 photos.

2011 A YEAR IN REVIEW Season One: Sleepyhead, 22 Short Plays, The Horror Face, J.A.T.O.; MKA@MTC: Rockefeller, Tuesday., Twins, The Sun Room; 22 Short Plays (Canberra); Open Season; Season Two: She’s A Little Finch, The Economist, plus Workshops and panel discussions at the Emerging Writers Festival (Melbourne), Crack Theatre Festival (Newcastle), participation in the Australian Theatre Forum, […]

the economist season extended

BOOK NOW!

EXTRA SHOWS ADDED. WED14/THUR15/FRI16DEC

“Van Badham’s tight, disarmingly imaginative and superbly acted production.. script is clever..and poetic….impressive, psychologically sound and a surprisingly staid piece.”

THE AUSTRALIAN CHRIS BOYD

“incisive theatrical technique, fine ensemble performance and brilliant direction… a potent and clinically performed work.”

THE AGE CAMERON WOODHEAD

“poor theatre at it’s best…a wicked take on political delusion…Highly recommended…Get booking!”

THEATRENOTES ALISON CROGGON

“the actors run a tour de force.. the skill of Manderson-Galvin and Badham create a thrilling spectacle.” 

IL GLOBO DANIELE ZINNI

“ the kind of mind f*ck that leaves you wobbly and wanting more”

AUSSIETHEATRE.COM.AU ANNE-MARIE PEARD

“Four Stars… Zoe Dawson does a terrific job with presence and complexity…a powerful, astute piece of of theatre.” 

ARTSHUB.COM.AU LIZA DEZFOULI

‎”more interesting political theatre than anything I’ve seen in Australia in a very long time…. Something akin to The Sound of Music (in Zizek’s reading)…. a work wrapped up in multiple ironies, far and far beyond anything that was happening when David Foster Wallace was writing about irony.” 

GUERILLA SEMIOTICS JANA PERKOVIC

“Four Stars…these guys are on the money…a highly engaging, energetic piece.”

 THEATREPEOPLE ANGUS CAMERON

“masterfully directed by Van Badham…Zoe Dawson- first rate… an exceptional performance” 

INPRESS ALICE BODY

“Good theatre was once defined as work that holds a mirror up to society to reveal its flaws. By that, and any other definition, this is good theatre.” 

RHUM.ORG.AU LIAM PIEPER

“Five Stars…Pure Genius… An incredible piece of political satire.” 

RUSHCROWDS BEN GETTLER

“the play is fascinating… script poetic and thoughtful…direction keeps the whole thing moving like a freight train.”

KEITH GOW.COM KEITH GOW

“Scintilating writing…A spine tingling climax…Theatre that is bold and unique.” 

PROMPTSIDE EUGYEENE TEH

BOOK NOW!